OKAY, I ADMIT IT, I have a problem with copy generated by AI chatbots. That’s hardly surprising, you might think, after all I’m a human who has written for a living for more than half a century. But, to be clear, I’m not in fear of my livelihood - it’s just that chatbot copy is so often very badly done.
THE YOUNG policeman looks bored. “Do you have a booking,” he says. “Yes,” I answer, “we’re staying at The Northern Light Inn.” He doesn’t quite manage a sigh. “Let me see the booking,” he says.
IT’S CHALLENGING to write about The Rule of Three because it’s such a fundamental part of culture, so embedded in our way of thinking, that even those who could not tell you precisely what it is already know about it intuitively.
FRIEND recently took me to task for a grammatical error I made in a Facebook post. I haven’t caught up with him since, so I don’t know whether he was being serious or not, but he was right: I made a grammatical error, and I did it deliberately.
THE WOMAN in the seat in front of us on the bus we had never intended to take was Asian - perhaps Filipina - middle-aged and dressed like a fashion buyer. She spoke softly in perfect Italian into her smart phone, which she charged from a USB port in the roof of the coach. At one point, she caught my eye and smiled.
OKAY, I ADMIT IT, I have a problem with copy generated by AI chatbots. That’s hardly surprising, you might think, after all I’m a human who has written for a living for more than half a century. But, to be clear, I’m not in fear of my livelihood - it’s just that chatbot copy is so often very badly done.
I LOVE LONDON - and not only its restaurants and bars, its museums and parks. I love commonplace London, the streets and squares where people have lived, worked, loved and played for centuries, and where they still do. I like the way the lives of Londoners, past and present, are layered in the urban landscape.
WHEN I WAS just 17, Simon & Garfunkel released the album Bookends, which included the plaintive song of ageing Old Friends.
The first verse sets the scene. ‘Old friends sat on a park bench like bookends. A newspaper blown through the grass falls on the round toes of the high shoes of the old friends.’
BACK STORIES are a rich source of information and entertainment, but we have evolved not to think about them because absolutely everything has its own history - and dwelling on the history of everything can lead to cognitive overload. It’s a shame, though, because we miss so much - we look without seeing. And so I’m going to offer you a practical exercise in curiosity.
